記憶

個人覺得套戲是出色，阿彼索邦依然可以交出上乘的技巧，他今次用他最拿手的聲音處理同真實同幻象之間的拿捏來令這故事添加層次感同昇華不少。其實我覺得阿這套的的處理比之前的更為純熟，在保留自身獨特的敘事技巧之餘，在鏡頭處理、混音剪接同捕捉角色技巧等也是比之前熟練。而因為有泰達史雲頓的精湛演繹，從而令角色的塑造更為立體，這樣對套戲也是加分。痴·影·夢·藝 X 的專頁 https://www.facebook.com/ckwunmovie/

如果你入場睇《記憶》（2021），可以當《新世紀福音戰士》咁睇，女主角圍繞「爆炸頭綜合症」（exploding head syndrome）呢個病，展開一段不能言喻嘅旅程，套戲為戲院而生，裡面嘅聲效係一絕，係電腦睇，係暴斂天物。#延伸閱讀What do you think is the biggest misconception about critics?People think we hate movies. And if we did, then we really picked the wrong profession. You have to really love movies to be a critic.I think that people will read reviews that are negative and just decide that means that we hate everything. And really, what it is, is disappointment. Because I think that every critic walks into every movie, at least with a glimmer of hope that we’re going to see something that’s going to knock us out, that’s going to be something that we’ve never seen before, that’s going to change the way we look at film – the way we look at the world. And when we see movies that fall short of that, we call them out for it.What’s the last movie to made you feel that way?I just watched Memoria, the new Apichatpong Weerasethakul film. His movies always, to me, feel like he is operating on a whole other level.In the film Until the End of the World, people become obsessed with downloading their own dreams into a device and spending all day watching them on a screen. His movies to me feel the closest like entering into a dream-state and being projected dreams by someone. His movies almost bypass big parts of your brain and just go right into your subconscious.https://editorial.rottentomatoes.com/article/know-your-critic-alonso-duralde-film-reviews-editor-at-thewrap/阿彼察邦用他极为缓慢而沉稳的语调讲述了一个充满悬疑色彩的故事，他依然在用他惯用的语法结构（大量的固定机位摄影和长镜头段落、停滞的角色动作、稀少的人物对白、被增强的环境声和缺失逻辑与因果的情节设计），而影片最令人惊喜的是，他用“脑海中的巨响”这一概念为电影设计了绝妙的麦格芬。https://movie.douban.com/review/13779017/eer

雖有瞓但至少感覺比波叔前世今生易明很多……女主身高180……Columbia 當地人不高……但導演揾咗好多頗高既演員甚至路人甲、乙、丙、丁……雖然導演手法成熟……但仍感受不到為何被稱大師……我覺得只係西歐電影界吹捧出嚟……像六、七十年代日本導演……跟著八、九十年代中國導演……再有近排韓國導演……

「記憶」(Memoria)一個尋「聲」的故事。如果不是拍驚憟片，又或是科幻片，本片又應如何著筆?故此，唯有導演阿彼察邦，和女角泰達史雲頓的，才可以成就這套自成一格的聲影歷程。本片節奏很慢，有很多一鏡到尾，或定鏡的拍攝手法，充滿自省和內心窺探意味。導演能以熟練手法，處理各種聽覺混音效果，配以阿倫比亞的自然場景，結合起來，令人有「天地人」一體的舒感。再加上泰達史雲頓的精湛演技，闡釋女角的雜複情緒，也為本片生色不少。但是敍事技巧過份獨特，在「究竟是什麽」的大前提下，不斷反覆追索聲音的來源，容易令人感覺拖延的煩厭。說實話，要令觀眾可以保持耐性，清醒看足全場，也不是太容易的事。喜歡的會覺得是神級；相反的，真的會瞓足大半場。結果如何，純為個人選擇。但入場前，還應做好足夠心理準備。

非常一般 吾好睇...

如果您啱啱放工有少少攰，歡迎入場瞓136分鐘。大師想講咩，我就真係唔知喇⋯⋯傑作？我識條鐵咩⋯可能導演係想同你講如果您瞓得安心，證明齣戲真係傑作！BTW 聲樂真係唔錯，俾翻一粒星。