如果你入場睇《記憶》(2021),可以當《新世紀福音戰士》咁睇,女主角圍繞「爆炸頭綜合症」(exploding head syndrome)呢個病,展開一段不能言喻嘅旅程,套戲為戲院而生,裡面嘅聲效係一絕,係電腦睇,係暴斂天物。#延伸閱讀What do you think is the biggest misconception about critics?People think we hate movies. And if we did, then we really picked the wrong profession. You have to really love movies to be a critic.I think that people will read reviews that are negative and just decide that means that we hate everything. And really, what it is, is disappointment. Because I think that every critic walks into every movie, at least with a glimmer of hope that we’re going to see something that’s going to knock us out, that’s going to be something that we’ve never seen before, that’s going to change the way we look at film – the way we look at the world. And when we see movies that fall short of that, we call them out for it.What’s the last movie to made you feel that way?I just watched Memoria, the new Apichatpong Weerasethakul film. His movies always, to me, feel like he is operating on a whole other level.In the film Until the End of the World, people become obsessed with downloading their own dreams into a device and spending all day watching them on a screen. His movies to me feel the closest like entering into a dream-state and being projected dreams by someone. His movies almost bypass big parts of your brain and just go right into your subconscious.https://editorial.rottentomatoes.com/article/know-your-critic-alonso-duralde-film-reviews-editor-at-thewrap/阿彼察邦用他极为缓慢而沉稳的语调讲述了一个充满悬疑色彩的故事,他依然在用他惯用的语法结构(大量的固定机位摄影和长镜头段落、停滞的角色动作、稀少的人物对白、被增强的环境声和缺失逻辑与因果的情节设计),而影片最令人惊喜的是,他用“脑海中的巨响”这一概念为电影设计了绝妙的麦格芬。https://movie.douban.com/review/13779017/eer
顯示更多

收起
