小丑：雙瘋

《Joker 小丑》導演杜德菲力斯，賦予葛咸城最響噹噹惡棍一個全新的身世和名姓，將小丑由通俗的漫畫角色，推向了另一個層次。華堅馮力士使人讚歎的演出功不可沒，之後他勢如狂風掃落葉般，連奪十多個獎項，包括榮膺2019年奧斯卡影帝。部分觀眾在五年前，或許已察覺到銀幕上身軀佝僂的Arthur Fleck， 跟89《蝙蝠俠》的積尼高遜版小丑——一個名叫Jack Napier，蝙蝠俠系列中的永遠超級大反派——並非同一個人。電影臨近尾聲，全面失控的葛咸城，誕生了小丑和蝙蝠俠兩位經典人物。身心俱是滿布被欺凌所留下傷痕的二人，命運却截然相反。一個長期受虐者變成更可怕、更無情的施暴者；而經歷痛失雙親的孤兒，若干年後變成正義化身。小丑和蝙蝠俠，Arthur Fleck和Bruce Wayne，成為你中有我，我中有你，互為表裏的悲劇人物。過往任何一個版本的小丑，邪魅的性格，陰晴不定，教人難以捉摸。不過在華堅馮力士出現前，從沒有一個小丑是如此的軟弱無助，以致他在地鐵槍殺三名衣冠禽獸時，感覺是憐憫多於不齒。嘗試過以暴易暴，去回應接二連三、不涉恩怨的無情虐打後，小丑在《小丑：雙瘋》中選擇了放棄。曾卑微地將容貌隱藏於臉譜背後的Arthur Fleck，卸下彩繪打造的盔甲，甘願為犯下的暴行贖罪。「暗黑唐吉訶德」的悔悟，招來了小丑女（Lady Gaga飾）冷漠的鄙夷。一個以軟弱開始的故事，以軟弱結束。這結局是小丑的選擇，還是導演江郎才盡後的大暴走？反正都不重要了。狗尾續貂的例子，司空見慣，不差這兩個多小時。歷年感想，存檔IG及FB：pm7290movie（https://www.facebook.com/Pm7290movie-105185654399988/）歡迎瀏覽。

There’s an iconic shot in the trailer of Joker and Harley Quinn silly dancing on the stairs. Turns out it was not in the movie. And as you can imagine, this movie cannot make up its mind what genre it wants to lends itself to. The story is a total mess.Technically impressive, definitely some moments of greatness in the direction. Performances are solid as hell too but I definitely don’t buy Gaga as Harley Quinn, and even more than that, a movie from the point of view of a psychopath in an absurdist musical form.I think there’s definitely a form of “the POV of the mentally-ill” that deserves a place in cinema storytelling but this is not it, from a movie viewing perspective. The ends really didn’t justify the means. I find myself tuning out even at the prowess of the beautiful cinematography and solid acting.Verdict: 71

凡係電影加入歌舞成份就好靠導演功力，呢套係唔夠，係覺得好突兀，但畫面係靚嘅，小丑係仍然稱職，但Lady gaga真係融入唔到成個氣場，每場出現都格格不入，好似特登因為就佢而加入唱歌成份。

係咁唱歌劇情有散又無料Joker仲廢過香港啲白卡佬睇到完咗個個O曬咀，點解可以咁無聊🥱慘像吃屎

當歌劇戲係唔錯嘅歌好聽劇情還可以嘅😑😑小弟係有瞓咗陣🥱😴好彩冷氣唔大瞓着唔怕傷風

套戲完全唔知想表達乜。當音樂劇看，音樂成份太少。當正劇看，冇起成轉合，愛情不浪漫，毫不感動，唔知有乜意義，亦無娛樂性。係我今年睇過最伏電影。